Sam Metz

Sam Metz's work is primarily focused on sculptural forms, though their artistic practice also encompasses film, animation, and drawing, often merging these mediums to create multi-faceted pieces. A key focus of their work is sustainability, with a deliberate consideration of where their materials come from and how they are used. Metz's practice delves deeply into the exploration of embodiment and the human body, specifically from the perspective of neurodivergence. Their work frequently centres around stimming—a repetitive behaviour often used by neurodivergent individuals to self-regulate and express emotions. Through their sculptures, Metz creates opportunities for tactile engagement and movement, encouraging audiences to reflect on stimming and its significance.

Metz's art also explores ‘hostile’ spaces, questioning the nature of relational connections within ecological contexts. They investigate how the human body interacts with its surroundings, employing materials shaped by unpredictability and movement. Additionally, Metz seeks to challenge conventional perspectives on non-verbal communication, making it a priority to ensure that their work is accessible to all, particularly neurodivergent communities. As an advocate for inclusivity, they are particularly interested in collaborating with organisations that support disabled artists.

Artistic Background

Sam Metz recently completed their MA in Art and Ecology, a pivotal step in shaping their current practice. They began their creative journey in performance art, which has heavily influenced their approach to movement and embodiment in their later works. This background has laid the foundation for their exploration into how neurodivergent bodies move and express themselves, as well as the connection between bodies and the environment.

Inspirations and Themes

Metz is deeply inspired by their own experiences as a neurodivergent person and by the broader neurodivergent community. Their work frequently investigates stimming as a form of expression, using their sculptural pieces to offer sensory experiences that invite others to engage with and reconsider this behaviour. They aim to create spaces where neurodivergent people, particularly those who stim, can feel seen and understood.

Their work also addresses the wider theme of how the human body is influenced by and interacts with its environment. Metz is particularly interested in the concept of ‘hostile’ spaces—places that might not immediately seem welcoming or accessible—and how these environments affect relational connections, both human and ecological. Their practice incorporates the unpredictable nature of movement, mirroring the complexity and fluidity of the human body within ecological systems.

Although Metz did not participate in the Emerging Artist Awards, they are an active member of the Scott Creative Arts Foundation (SCAF) community. Currently, they are working on a significant commission with 'Unlimited,' a prominent disability arts commissioner, and have also received funding from Arts Council England for creating objects for York Art Gallery. This support has allowed Metz to further develop their exploration of neurodivergence and ecology, while maintaining a strong commitment to accessibility and inclusivity in their work.

Future Aspirations and Emerging Ambitions

Looking forward, Sam Metz remains focused on continuing their investigation into neurodivergence and its relationship with ecological themes. They are determined to further amplify the voices of neurodivergent individuals through their art, creating work that is accessible and inclusive, and ensuring that their practice remains centred on the experiences of neurodivergent people. Additionally, they are keen to collaborate with organisations that champion disabled artists, to promote a broader understanding of neurodivergence and create meaningful change in how society perceives non-verbal communication and stimming.