Alison Britton

On learning to etch: "I knew it was going to be a challenge, I think that’s part of the reason I wanted to learn".

Artistic Approach and Process

Alison Britton, a printmaker who also works with collographs, began her artistic journey as an art teacher. Her passion for etching, however, has been a defining element of her practice. "I knew it was going to be a challenge, I think that’s part of the reason," she says, reflecting on her decision to learn etching. Attending evening classes through the Rural Arts Organisation in Thirsk, she accessed a press at Harrogate College, allowing her to continue honing her etching skills. To further deepen her artistic process, Britton pursued a part-time MA, which she describes as being highly practical, enabling her to design her own course and have continued access to studio facilities. This education shaped the technical aspects of her printmaking, allowing her to push boundaries while refining her craft.

Artistic Background
Originally from the South of England, Britton's career in art began with teaching. However, her relocation to Yorkshire sparked a new phase in her artistic life. Motivated by her desire to immerse herself in the craft of etching, Britton made a commitment to learning and mastering the technique. Her time at Harrogate College and her decision to pursue an MA were pivotal moments that shaped her artistic practice.

Inspirations and Themes

Britton finds profound inspiration in the Yorkshire landscape, which heavily influences her imprinting work. Her deep connection to the region is evident not only in her art but in her personal reflections. "I feel so at one with this place," she explains, describing the sense of belonging that Yorkshire gives her. Whether she's walking or cycling through the hills, Britton describes the experience as "life-enhancing. It’s more than art; it’s about your sense of being." This connection to nature is reflected in her detailed etchings, which capture the essence of the countryside around her.

Emerging Artist Awards Experience and Working with SCAF

Britton was a finalist in the inaugural Emerging Artist Awards in 2019, an experience that opened new doors for her. Reflecting on the process, she says, "That was the lovely thing about how they organise it—they don’t look at your work and accept what you’ve already done, they look at your work and say, ‘Okay, we think you’ll be good.’" The encouragement she received from SCAF has played a key role in her ongoing development. Britton is also a regular participant in the SCAF Peer Group, where local artists meet to share and discuss their work. "It feeds your creativity, it’s been excellent," she says. "It’s so nice to meet people like yourself, but also not like yourself." The diversity of the group has been particularly valuable for her, offering fresh perspectives and inspiration.

Post Emerging Artist Awards

Since taking part in the Emerging Artist Awards, Britton’s work has been exhibited in a variety of prestigious venues, including Harrogate, Ryer Folk Museum, and St Mary’s School. In 2023, she participated in the North York Moors Art Award at the Danby National Park Centre. Looking ahead, Britton is preparing for future exhibitions, including a planned show at a commercial gallery in Thirsk and a piece that will be exhibited in Scarborough in October 2024. She remains an active member of the artistic community, also participating in another artist group based in Harrogate.

Future Aspirations and Emerging Ambitions
Looking to the future, Britton remains committed to continuing her artistic journey. She hopes to further explore the relationship between the natural world and her printmaking, constantly refining her techniques and pushing her creative boundaries. As she continues to exhibit her work across Yorkshire and beyond, her ambition is to ensure that her connection to the landscape remains central to her evolving artistic expression. Britton’s journey is a testament to her dedication and passion for her craft, with exciting prospects still ahead.

The lovely thing about how they organise [the Emerging Artist Awards] is they dont look at your work and accept what you’ve already done, they look at your work and say ‘okay we think you’ll be good’